Balance 23 by Radio Slave (preview CD2)

Matt ‘Radio Slave’ Edwards is one of electronic music’s true experimentalists; a man rooted in house and techno whose oeuvre reaches much farther beyond. From the downtempo gloss of his Quiet Village project to a half-hour-long remix of Diddy to the audio-visual soundscape immersions of The Machine, he continually strives to push his music forward and keep himself on his toes. It’s this dedication to progression and eclecticism that imbues his 4/4 grooves with such texture and depth, something that runs equally through the releases on his acclaimed REKIDS imprint.

His concoction for Balance comes in two distinct parts, its 33 tracks marking a stark contrast to the stripped-back simplicity of his fabric 48 mix. “The idea of a double disc is something that totally suits me down to the ground” he explains. “I'm interested in so many types of music. So with the Balance compilation I knew I'd have to take one mix in a clubbier direction and then the second disc would be all about showcasing tracks from my favourite producers and creating an environment for home listening that isn't just wallpaper.” He cites Future Sound Of London’s Kiss FM sessions and DJ Harvey’s Sarcastic as inspirational DJ mixes, both visionaries in their own way.

Although it’s not immediately palpable, this mix is imbued with a sense of emotion that came from a turbulent few months for Edwards, making it a more personal musical account than your average mix CD. “This year has been a really tough one so far. I had a minor operation in January which went wrong and what was supposed to be a simple procedure turned into a real nightmare. I had to take 6 weeks off work, cancel a tour to the USA and I couldn't do anything but hope for a speedy recovery. I also split with my girlfriend and had a huge fight with a best friend which is so not me. It was a series of events that seemed totally out of control and it really threw me off balance. So, it meant I had to delay working on this project, but I still believe the end product might be even better due to the earlier events of the year. Emotions and experience are so important for me as an artist and I believe I work best when I need to lose myself in my work and immerse myself in music.”

Disc 1 - sub-titled White Skies - begins with a dash of found sound, taken from Edwards’ daily routine, segueing into the emotive strains of DJ Bone’s Change accapella. Stephan G & The Persuader’s 1997 roller Kaos begins the groove, with dainty melody shimmering subtly atop a throbbing, deep bassline. We soon find ourselves in familiar Radio Slave territory - deep, swirling techno and off-kilter chugging tech house. “This is really where my head is right now when it comes to club music and I wanted to compile a selection of music that I play in clubs and that really shouts quality and has a sense of hopefully being timeless. For me so much dance music these days is either replicating the past - like this currently mid-‘90s New Jersey revival - or made to be played and then replaced by the next fix, and I'm at a point where I still believe house and techno is about the future. Sure I love the odd disco edit but these days I wanna hear forward thinking music.”

Dystopian grooves characterise Disc 1’s first half, fragments of otherworldliness permeating his rolling, hypnotic grooves. It’s in the backwards pianos of his remix of Ian Pooley & Spencer Parker’s Lurchen und Eulen and the warped, distorted and dubby stabs of Svek’s Brommage Dub (another ‘97 gem). Timeline’s Ghosts Of Greystone jets into space from a Detroit launchpad, joining the dots between techno and jazz, and we’re gradually drawn into more organic sounds via the hazy keys of Fred P’s remix of Nina Kraviz’s Voices and to long-forgotten late-’80s afro-house from No Smoke.

Rasta vocals on Brotherhood’s Memorial Smith give way to a handful of classic and classically styled house tracks, reminding us why Edwards was chosen to curate a Strictly Rhythm compilation a few years ago. This uplifting crescendo concludes with Prins Thomas whipping up Edwards’ Tantakatan into a rousing Balearic anthem, and Larry Heard’s sumptuous First Call Of The Morning giving a Muzak-inflected nod to our selector’s laidback work of years gone by. "’White Skies’ is a snapshot of a night out with me ”he says, “starting with my infamous lift and ending with the sounds of Lincoln Boulevard. The tracks within could be spaced over a 6-hour session at the Panorama Bar so this is a very condensed set and I just wanted to include some of my classics, some unreleased secret weapons and it's a mix that I'm sure would entertain my friends at an after party.”

Disc 2 travels through the deeper recesses of his record collection, soaking up ambient, downtempo and experimental flavours that are bound by a sense of majesty, melody and atmosphere. If ‘White Skies’ is Edwards as Radio Slave in Panoramabar mode, ‘Maestros & Memories’ is him entertaining the eventual crack-on, more akin to his Quiet Village / The Machine expeditions. “I had the idea of doing a commercially available mix like this for a long time and I'm so happy that Balance were able to license the tracks. Tracks like Slum Village's One is an all time favourite and was such an inspiration to me and I'm not sure if a lot of people know this one. Also being able to use the Sakamoto track from Babel was crucial in the way I wanted to express a mix that was ambient but had tension and movement. And as with all mixes, with the limitations in time I wanted to take the listener through my record collection.”

Beatless soundscapes eschew in the mix’s beginnings before we emerge at the hazy, treacly beats of Theo Parrish remixing Skooby Laposky’s Lighthouse and the abrupt piano twinkles and stomping beats of the aforementioned Slum Village track. Low-slung funk carries us through the next phase, into the illustrious Balearic disco glamour of Linda Law’s All The Night from 1978 and the sumptuous strings of his Quiet Village beaut Can’t Be Beat. It’s into bleeps and bass next with a vintage F-Communications workout from D.S., then sombre contemporary jazz from Portico Quartet’s Laker Boo before Edwards cleverly segueways into Herbie Hancock’s seminal, minimalist 1974 workout NoBu - one of the earlier meetings of synths and jazz. The classic, ethereal twinkling of Software’s lush Present Voice rounds off this engrossing collection, with a final snippet of a week in the life of Radio Slave serving as an audial bookend to the proceedings.

“I'm constantly trying to always find the right balance of music for DJing and dig that bit deeper” concludes Edwards. “I hear so many underground DJs who think they're so cool but they don't even scratch the surface, and it makes me crazy as these people make so much money out the scene but don't invest anything back. So with the Balance CD I wanted to bring something different to the mixing desk.” With this masterful, perfectly judged collection of tracks from five decades of record collecting, he has undoubtedly succeeded in presenting a vision that’s a million miles away from the generic sounds filling up so many ‘floors in this day and age.

CD1 - White Skies

1. Radio Slave - Leaving Home… The Elevator Experience
2. DJ Bone - Change (Changeapella)
3. Stephan G & The Persuader - Kaos
4. Julian Perez - Road to Dub
5. Delano Smith - Inspiration (Reconstructed by Makam)
6. Frost - Da Drop Suri (Rhadoo Edit)
7. Pooley & Parker - Lurchen Und Eulen (Radio Slave mix)
8. Jeremy - Rhythmus
9. Brommage Dub - Untitled (Dub One)
10. Timeline feat. Jon Dixon & DeSean Jones - Ghosts of Graystone
11. Vadim Svoboda - Pattern 18
12. Nina Kraviz - Choices (Fred P Reshape)
13. No Smoke - Koro Koro (Dub)
14. Brotherhood - Memorial Smith
15. Sandy Rivera - Liquid Interlude w/ Joe Claussell - Animation (Unchainedpella Joe Claussell mix)
16. Melchior Productions - Descendants
17. Radio Slave - Tantakatan (Prins Thomas Diskomiks)
18. Larry Heard - First Call In The Morning
19. Radio Slave - Lincoln Boulevard

CD2 - Maestros and Memories Part 1 & 2

1. Radio Slave - Coming Home… Sunday Night Flights
2. Ryuichi Sakamoto - Only Love Can Conquer Hate
3. Vincent I. Watson - Hidden Behind the Eyes
4. The Machine - Continental Drift (Joe Claussell Re-interpretation)
5. Skooby Laposky - Lighthouse (Theo Parrish mix)
6. Slum Village - One (Instrumental)
7. Jay Dee - B.B.E. (Big Booty Express) (Instrumental w/ Vox)
8. Linda Law - All The Night
9. Quiet Village - Cant Be Beat
10. D.S. - Additional Elements
11. Portico Quartet - Laker Boo
12. Herbie Hancock - Nobu
13. Software - Present Voice
14. Radio Slave - U Bahn… Next Stop Panorama Bar?

Balance 23 by Radio Slave (preview CD1)

Matt ‘Radio Slave’ Edwards is one of electronic music’s true experimentalists; a man rooted in house and techno whose oeuvre reaches much farther beyond. From the downtempo gloss of his Quiet Village project to a half-hour-long remix of Diddy to the audio-visual soundscape immersions of The Machine, he continually strives to push his music forward and keep himself on his toes. It’s this dedication to progression and eclecticism that imbues his 4/4 grooves with such texture and depth, something that runs equally through the releases on his acclaimed REKIDS imprint.

His concoction for Balance comes in two distinct parts, its 33 tracks marking a stark contrast to the stripped-back simplicity of his fabric 48 mix. “The idea of a double disc is something that totally suits me down to the ground” he explains. “I'm interested in so many types of music. So with the Balance compilation I knew I'd have to take one mix in a clubbier direction and then the second disc would be all about showcasing tracks from my favourite producers and creating an environment for home listening that isn't just wallpaper.” He cites Future Sound Of London’s Kiss FM sessions and DJ Harvey’s Sarcastic as inspirational DJ mixes, both visionaries in their own way.

Although it’s not immediately palpable, this mix is imbued with a sense of emotion that came from a turbulent few months for Edwards, making it a more personal musical account than your average mix CD. “This year has been a really tough one so far. I had a minor operation in January which went wrong and what was supposed to be a simple procedure turned into a real nightmare. I had to take 6 weeks off work, cancel a tour to the USA and I couldn't do anything but hope for a speedy recovery. I also split with my girlfriend and had a huge fight with a best friend which is so not me. It was a series of events that seemed totally out of control and it really threw me off balance. So, it meant I had to delay working on this project, but I still believe the end product might be even better due to the earlier events of the year. Emotions and experience are so important for me as an artist and I believe I work best when I need to lose myself in my work and immerse myself in music.”

Disc 1 - sub-titled White Skies - begins with a dash of found sound, taken from Edwards’ daily routine, segueing into the emotive strains of DJ Bone’s Change accapella. Stephan G & The Persuader’s 1997 roller Kaos begins the groove, with dainty melody shimmering subtly atop a throbbing, deep bassline. We soon find ourselves in familiar Radio Slave territory - deep, swirling techno and off-kilter chugging tech house. “This is really where my head is right now when it comes to club music and I wanted to compile a selection of music that I play in clubs and that really shouts quality and has a sense of hopefully being timeless. For me so much dance music these days is either replicating the past - like this currently mid-‘90s New Jersey revival - or made to be played and then replaced by the next fix, and I'm at a point where I still believe house and techno is about the future. Sure I love the odd disco edit but these days I wanna hear forward thinking music.”

Dystopian grooves characterise Disc 1’s first half, fragments of otherworldliness permeating his rolling, hypnotic grooves. It’s in the backwards pianos of his remix of Ian Pooley & Spencer Parker’s Lurchen und Eulen and the warped, distorted and dubby stabs of Svek’s Brommage Dub (another ‘97 gem). Timeline’s Ghosts Of Greystone jets into space from a Detroit launchpad, joining the dots between techno and jazz, and we’re gradually drawn into more organic sounds via the hazy keys of Fred P’s remix of Nina Kraviz’s Voices and to long-forgotten late-’80s afro-house from No Smoke.

Rasta vocals on Brotherhood’s Memorial Smith give way to a handful of classic and classically styled house tracks, reminding us why Edwards was chosen to curate a Strictly Rhythm compilation a few years ago. This uplifting crescendo concludes with Prins Thomas whipping up Edwards’ Tantakatan into a rousing Balearic anthem, and Larry Heard’s sumptuous First Call Of The Morning giving a Muzak-inflected nod to our selector’s laidback work of years gone by. "’White Skies’ is a snapshot of a night out with me ”he says, “starting with my infamous lift and ending with the sounds of Lincoln Boulevard. The tracks within could be spaced over a 6-hour session at the Panorama Bar so this is a very condensed set and I just wanted to include some of my classics, some unreleased secret weapons and it's a mix that I'm sure would entertain my friends at an after party.”

Disc 2 travels through the deeper recesses of his record collection, soaking up ambient, downtempo and experimental flavours that are bound by a sense of majesty, melody and atmosphere. If ‘White Skies’ is Edwards as Radio Slave in Panoramabar mode, ‘Maestros & Memories’ is him entertaining the eventual crack-on, more akin to his Quiet Village / The Machine expeditions. “I had the idea of doing a commercially available mix like this for a long time and I'm so happy that Balance were able to license the tracks. Tracks like Slum Village's One is an all time favourite and was such an inspiration to me and I'm not sure if a lot of people know this one. Also being able to use the Sakamoto track from Babel was crucial in the way I wanted to express a mix that was ambient but had tension and movement. And as with all mixes, with the limitations in time I wanted to take the listener through my record collection.”

Beatless soundscapes eschew in the mix’s beginnings before we emerge at the hazy, treacly beats of Theo Parrish remixing Skooby Laposky’s Lighthouse and the abrupt piano twinkles and stomping beats of the aforementioned Slum Village track. Low-slung funk carries us through the next phase, into the illustrious Balearic disco glamour of Linda Law’s All The Night from 1978 and the sumptuous strings of his Quiet Village beaut Can’t Be Beat. It’s into bleeps and bass next with a vintage F-Communications workout from D.S., then sombre contemporary jazz from Portico Quartet’s Laker Boo before Edwards cleverly segueways into Herbie Hancock’s seminal, minimalist 1974 workout NoBu - one of the earlier meetings of synths and jazz. The classic, ethereal twinkling of Software’s lush Present Voice rounds off this engrossing collection, with a final snippet of a week in the life of Radio Slave serving as an audial bookend to the proceedings.

“I'm constantly trying to always find the right balance of music for DJing and dig that bit deeper” concludes Edwards. “I hear so many underground DJs who think they're so cool but they don't even scratch the surface, and it makes me crazy as these people make so much money out the scene but don't invest anything back. So with the Balance CD I wanted to bring something different to the mixing desk.” With this masterful, perfectly judged collection of tracks from five decades of record collecting, he has undoubtedly succeeded in presenting a vision that’s a million miles away from the generic sounds filling up so many ‘floors in this day and age.

CD1 - White Skies

1. Radio Slave - Leaving Home… The Elevator Experience
2. DJ Bone - Change (Changeapella)
3. Stephan G & The Persuader - Kaos
4. Julian Perez - Road to Dub
5. Delano Smith - Inspiration (Reconstructed by Makam)
6. Frost - Da Drop Suri (Rhadoo Edit)
7. Pooley & Parker - Lurchen Und Eulen (Radio Slave mix)
8. Jeremy - Rhythmus
9. Brommage Dub - Untitled (Dub One)
10. Timeline feat. Jon Dixon & DeSean Jones - Ghosts of Graystone
11. Vadim Svoboda - Pattern 18
12. Nina Kraviz - Choices (Fred P Reshape)
13. No Smoke - Koro Koro (Dub)
14. Brotherhood - Memorial Smith
15. Sandy Rivera - Liquid Interlude w/ Joe Claussell - Animation (Unchainedpella Joe Claussell mix)
16. Melchior Productions - Descendants
17. Radio Slave - Tantakatan (Prins Thomas Diskomiks)
18. Larry Heard - First Call In The Morning
19. Radio Slave - Lincoln Boulevard

CD2 - Maestros and Memories Part 1 & 2

1. Radio Slave - Coming Home… Sunday Night Flights
2. Ryuichi Sakamoto - Only Love Can Conquer Hate
3. Vincent I. Watson - Hidden Behind the Eyes
4. The Machine - Continental Drift (Joe Claussell Re-interpretation)
5. Skooby Laposky - Lighthouse (Theo Parrish mix)
6. Slum Village - One (Instrumental)
7. Jay Dee - B.B.E. (Big Booty Express) (Instrumental w/ Vox)
8. Linda Law - All The Night
9. Quiet Village - Cant Be Beat
10. D.S. - Additional Elements
11. Portico Quartet - Laker Boo
12. Herbie Hancock - Nobu
13. Software - Present Voice
14. Radio Slave - U Bahn… Next Stop Panorama Bar?

Balance presents Jozif

After 22 volumes of its much-lauded double-disc compilation series, Australian imprint Balance returns to launch its new ‘presents’ series, throwing the spotlight on the emerging talents that are shaping the future of the scene.

One of the most exciting names to proliferate in the world of house music and thereabouts over the last five years or so, English DJ and producer jozif is a unique talent. Born to a professional drummer father and a Royal Ballet ballerina mother, he grew up surrounded by music and slowly but surely worked his way into similarly focused endeavours. His highly musical take on house and downtempo 4/4 grooves as a producer is somewhat belied by his prowess as a dancefloor-driven DJ, but it’s exactly this combination that makes him such an exciting proposition. Whether he’s playing the big rooms of a We Love… Space residency, serving up wigged-out grooves alongside his Fist Or Finger label partner Craig Richards or soundtracking a sun-drenched day party in Shoreditch, he always seems effortlessly comfortable – and accomplished.

“I think I’m one of those people that is always trying to make sure that dancefloor is having a good time without being too dictated by it” he says of his DJing mentality. “Initially for my Balance mix, I really wanted to do a clubby mix. A lot of people will know me only from my productions which I don’t really tend to play in the clubs as I tend to play a lot more ‘up’, so I wanted to do something that represented what I do on the weekends. I did the first version and we started to get the records cleared, but in the mean time a good friend of mine passed away suddenly and although I hadn’t seen him for a while, it really affected me. I didn’t think it was right to put out such an upbeat mix when such an awful thing had happened so I went back to the mix and just did another one and this is how it turned out.”

Inspired by classic compilations such as Sasha’s GU:Ibiza masterpiece, James Holden’s effort for Balance and that seminal effort that forged thousands of passions, Ministry Of Sound’s The Annual 2, jozif has turned in a mix that blends the classic and the contemporary in exquisite fashion. He wears his emotive heart on his sleeve from the very first second of this masterful mix, the sorrowful strains of Charles Webster’s Butterfly immediately piercing deep into the subconscious with its spine-tingling, bitcrushed melodies, lush ambient textures and heady vocals. From this Balearic slumber, he quickly adjusts the tempo to accommodate the slo-mo house chug of the late, great Martin Dawson’s sublime Glimpse collaboration Our Friends Electric, drenched in yearning pad chords and Depeche Mode undertones. Burnin’ Tears’ Got A Reason continues this blissed-out theme, harking back to the golden era of progressive house epitomised in Sasha & John Digweed’s seminal Northern Exposure mix.

Our selector draws us towards organic sounds on Lake Powell’s More Or Less, with softly muted piano motifs and rough organ chords woven deep below snappy beats to mesmerising effect, before some subtle space funk is drawn into the fold via Yoko0’s deep Blinded. The mix reaches one of its stunning peaks with the heartstring-tugging beauty of Steffi’s Sadness, neo-soul refracted through the early morning beams of light that fire through Panorama bar’s shutters. From the depths rise bolder hooks, the melodic bassline and hazy chords of Silicone Soul’s One Thing paving the way and teeing up the sweeping strings and soaring vocals of How I Feel as the energy begins to swell.

Just as the beats threaten to keep rolling, jozif reins the percussive elements in and brings the focus back to hooks and melodies through Ian Pooley’s pulsating, synth-laden moment of euphoria Compurhythm. The burgeoning riffs give way to the garagey vocal treatments and sumptuous depths of Sam Wallace’s shimmering Echelon as we move towards the mix’s conclusion. jozif flexes his production muscle with two slices of musical sophistication that grip, beguile, progress and evolve in a microcosmic reflection of the mix as an entirety: the low-slung bass and delicate melodics of BT’s 3, and the scintillating string arrangements of BT’s 5. Both tracks put his love of cinematics at the fore, rousing us towards an epic finale. The hypnotic warmth of Rob Shields’ Slum Room rounds off in demure style, 808 bass throbs punctuating dramatic vocal snippets and distant, heavily effected guitar strums creating a pensive, reflective mood to lay the mix down to rest.

“We are very excited to invite jozif to be part of the Balance family of selectors” says Balance’s Tom Pandzic, “and we believe he is the perfect choice to launch the new Balance presents compilation series, which will focus on the next generation of DJ/producers that are flying the flag for quality electronic music, and moving the scene forward.” With this carefully considered mix that’s built through a succinct selection of constantly engaging music, jozif has launched this exciting new series in fittingly inspiring fashion.

Tracklisting:

1. Charles Webster – Butterfly
2. Glimpse & Martin Dawson – Our Friends Electric
3. Burnin’ Tears – Got a Reason
4. Lake Powell – More or Less
5. YokoO – blinded (YokoO's Walking To The Light edit)
6. Steffi – Sadness (Vinyl Version)
7. Silicone Soul – One Thing
8. Burnin’ Tears – How I Feel
9. Ian Pooley – Compurhythm
10. Sam Wallace – Echelon
11. jozif – BT’s 3
12. jozif – BT’s 5
13. Rob Shields – Slum Room

Release date:

Australia: February 22nd, 2013

UK/Europe: February 25th, 2013

North America: March 5th, 2013
Released by: Balance Music
Release/catalogue number: BAL007CD
Release date: Feb 22, 2013

Balance 022 by Funk D'Void (preview)

Released by: Balance Music Release/catalogue number: BAL006CD Release date: Sep 24, 2012

Nic Fanciulli - Balance 021

Following on from Deetron’s brilliantly executed Balance 020 project, Balance Music presents Balance 021 mixed by Nic Fanciulli.
The Saved Records boss delivers a stunningly intricate mix that highlights his ethos as DJ and label owner.
CD1, entitled simply ‘Balance’ is a subtle and expertly crafted mix that balances a plethora of diverse tracks, often three at a time, to create an expansive but well focused journey.
Infused with a true timeless quality, the mix was approached in a way that will enable it to sound as good in ten years time as it does today.
Individual records were meticulously edited one by one to provide the album with a fluid and natural flow, displaying a more heightened sense of musicality than we are often used to in dance music.
It's intelligent arrangement really paves the way for an overriding sense of permanence that is so often missing in many of today’s compilations.
On CD2, Nic showcases the sound and ethos of his own Saved Records with a collection of records exclusive to the imprint.
Whilst keeping the focus on quality house music, the mix highlights the diversity within the label with a discernable collection of tracks that straddle various styles, atmospheres and tempos, many of which will be available exclusively through Balance 021.
From deep and melodic grooves to stripped back bounce, rolling basslines, jacking beats and everything in between, the second disc truly emphasises the dedication to quality that has made Saved one of the most respected Labels in the UK and around the globe.

CD 1: Balance
1. Luca & Bruno – Raindrops Intro
2. Maya Jane Coles – Something In The Air [Hypercolour]
3. SIS – Break Down [Cocoon Recordings]
4. DifferentME – Back To Tomorrow [Deleted]
5. Iron Curtis – Goma [Kolour Recordings Digital]
6. Eastmen – U Dig (Cassy & Chris Carrier Remix) [Soma Records]
7. Jae B – Vibe [petFood]
8. NTFO, Rhadow – Roots [Sinetope Digital]
9. Franck Roger, Mendel Turner – After All [Real Tone Records]
10. Oscar Offerman – Only My Shorts [WHITE MUSIC]
11. &ME – Purple Rain [Keinemusik]
12. Ray Okpara (Feat. Obi Jazz) – Bounce To This [Mobilee Records]
13. And.Id – Need For Chicago [2020Vision]
14. SLG – I Love You But I’ve Chosen Disco (Feat. Smolny) [Pets Recordings]
15. Joris Voorn – Spank The Maid [Rejected]
16. Nic Fanciulli – Movin’ On [Rejected]
17. Pol_On – Heavy Rain [Systematic Recordings]
18. Lovebirds – The Beast [Liebe Detail]
19. Quell – Joy [These Days]
20. Ricardo Villalobos, Jay Haze – Fenlow (Haze’s 2011 Re-Rub) [Contexterrior]
21. Efron, Piek – Vous Etes Fou [Inmotion Music]
22. Anonym – If Every Day Was A Sunny Day [Bass Culture Records]
23. Humano – Life [Music Man Records]
24. Vernon Bara, Igor Vincente – Don’t Feel No Way [Visionquest]
25. Martin Eyerer, Glimpse – Southern Soul (Jay Shepheard Remix) [Buzzin’ Fly Records]
26. Marco Basanov – Up [Needwant]
27. Omar S – Here’s Your Trance Now Dance [FXHE Records]

CD 2: Saved
1. Gianni Callipari - Whybee
2. Simon Baker & Robert James – All Of A Sudden
3. Guti, Livio & Roby – We Are
4. Samu.l – Forgiven
5. Mark Broom – Jackpot (Robert James Remix)
6. Subb-an – This Place
7. Philip Bader, Andrea Oliva – Girls
8. Emerson Todd – Haere Mai
9. &ME – Matters
10. Robert Dietz – Bingo Wings
11. Nic Fanciulli, Stacey Pullen – Limmo (Robert Dietz Remix)
12. Philip Bader – Amir Loves You (Nic Fanciulli & Davide Squillace Remix)
13. Clio – Bad Boy
14. Harvey McKay – Showface (Acapella)
15. Alex Tepper – Feng Shoe
16. Boris Ross & Jeff Moore – Golden Dreams
17. Nic Fanciulli – Wild
18. Loco Dice – Definition (Nic Fanciulli Remix)
19. Winx vs. Nic Fanciulli – Don’t Laugh (2012 Remix)
20. Clio – Mister Nice
21. Nic Fanciulli, Rolando – The Test (Paul Ritch Funky Mix)
22. Radio Slave – Grindhouse (Nic Fanciulli Remix)
23. Hollen, Pirupa – Black Fusion
24. Nic Fanciulli, Gary Beck – Hear Me Out (Nikola Gala Remix)
25. Chiapet – Westworld (Skylark Remix)
26. Mark Fanciulli - Sacrifice

2CD release date May 7th, 2012
www.balancemusic.com.au